30th November 2022
Bill Hicks did this great routine about Jesus of Nazareth coming back to see crosses everywhere:
“Lots of Christians wear crosses around their necks. You think when Jesus comes back he’s gonna want to see a fucking cross, man?
“”Ow.” Might be why he hasn’t shown up yet.
“”Man, they’re still wearing crosses. Fuck it, I’m not goin’ back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but… let me bury fossils with you, Dad. Fuck ’em, let’s fuck with ’em! Hand me that brontosaurus head, Dad.””
Hicks had a point.
The crucifix was a torture device, which was used to ensure the victim had an agonising death.
It has taken about two thousand years of cultural familiarisation for it to be a comforting symbol, which some even place outside schools and hospitals.
“You know, kinda like going up to Jackie Onassis with a rifle pendant on, you know. “Thinkin’ of John, Jackie. We love him. Just tryin’ to keep that memory alive, baby.””
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Perhaps the ghost of Oscar Wilde would have the similar reaction to the calls for the closed Reading Gaol to be now turned into an arts centre:
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It was, after all, where Wilde spent his time incarcerated, serving a sentence of two years’ hard labour, for gross indecency – the crime being consensual homosexual intercourse.
The campaign has the support of the local member of parliament:
🚨 Reading Gaol Update 🚨
This morning I spoke to @andrewpeach about the situation at Reading Gaol. We talked about solving the deadlock over the Gaol, and the project to transform Reading Gaol into an Arts and Heritage Hub that benefits all of Reading.
Part 1 👇 pic.twitter.com/XRMwfq1AaD
— Matt Rodda (@MattRodda) November 22, 2022
The Ministry of Justice, on the other hand, seems to have done nothing since 2014 with this prime real estate in that tent of urbanisation which geographers call the largest town in England.
BBC News tells us that the Ministry of Justice “has previously rejected the plan and said it wanted to “seek [the] best value for taxpayers”.”
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One suspects Wilde would have been generous in his support with this campaign to turn his gaol into an arts venue.
Indeed, that we even associate the prison with Wilde is down to his own writing.
He, of course, immortalised the prison in the title of one of his greatest poems, about the execution and burial of an inmate when he was there:
“People point to Reading Gaol and say, ‘That is where the artistic life leads a man.’ Well, it might lead to worse places.”
He then mentions some of those worse places:
“A man whose desire is to be something separate from himself, to be a member of Parliament, or a successful grocer, or a prominent solicitor, or a judge, or something equally tedious, invariably succeeds in being what he wants to be. That is his punishment.”
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One gets the impression that Wilde would actually quite approve of Reading Gaol being turned into an arts centre, especially with the grudging consent of the government.
(It would be a fitting counterpart to the bank note memorial for that other great figure prosecuted under and broken by the very same vile “gross indecency” offence, Alan Turing.)
Wilde would probably not even rub it in for those working at the Ministry of Justice, for he would regard their mundane civil service jobs as punishment enough.
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Reading Gaol should become a standing reminder of the wickedness of which our criminal law can be capable – against Wilde, Turing, and so many others.
And this would be as an arts venue, and not as a block of flats.
This would also certainly be “better value for taxpayers” than the prison standing idle for another eight years, located next to the touristy plush grounds of the ruined abbey in Reading.
The Ministry of Justice may well know the price that land could command for development, but they do not know that property’s value.
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“Nowadays people know the price of everything and the value of nothing.”
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